John Romero
Gaming's No. l Marketing Authority

Author of
"SECRETS OF CASINO MARKETING" & "CASINO MARKETING"

Tip of the Week Archive

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January 1, 2012:

Will casinos be next in line for the dynamic Six Sigma        Newt Gingrich, campaigning in Iowa a few weeks ago, looked down at a ménage of Iowans decrying money wasted on the stimulus and other doubtful projects. "I propose," he said, "the Lean Six Sigma method to cut government waste." I'm not sure how many of those present understood what he meant, but casino presidents, CEOs and others at the top of the gaming ladder certainly should. I'm not an expert in Lean or Six Sigma, but I damn well would be if I ran a casino. Using Lean Six Sigma or its forerunner, Six Sigma, I believe the increase in a casino's profit would be enormous. Motorola developed Six Sigma in the 80s as a business strategy to remove errors--thereby improving output and selling products that were virtually perfect. A few years later came Lean Six Sigma, supposedly from the Toyota production system. Both Politico and EHow Money say Gingrich also suggested Lean Six Sigma would eliminate at least $3 trillion of government waste over 10 years. The US Army, according to iSixSigma.com, reports a financial benefit of almost $2 billion, and says GE saved $10 billion in the first five years. Business Week says a "major enterprise" reduced labor costs by 5% for an annual benefit of $2 billion, and Target Corp. claims more than $100 million saved in six years. How do Six Sigma and Lean Six Sigma differ? SS creates a number of company experts and calls them Black Belts and Green Belts. These experts use data to focus on financial targets that reduce cost or build profit. LSS uses SS rules to make decision-making faster, reduce errors and improve the quality of the product. Both Six Sigma and Lean Six Sigma originated in manufacturing companies--but service companies are catching up. Now here's a hint if you're interested in Six Sigma and Lean Six Sigma: just a few days ago, Amazon.com displayed five new books that cover both. I guarantee you'll be impressed.

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December 1, 2011:

With casinos from UK to Miami The Genting Group thinks big     You couldn't miss the page one headline in the Wall Street Journal's Nov. 29 edition. "Dreaming of a New Vegas in Miami," it read. The illustration that accompanied the story looked like someone had used scrap aluminum to build hotels and towers, then brought in Army tanks to smash in the sides. Must have been a slip of the brush. Nevertheless, The Genting Group intends to build a $3.8 billion casino resort with 5,200 rooms, 50 restaurants and a shopping mall--all next to the ocean and US Highway 395, and not far from downtown Miami. So they bought the existing Omni Center for about $251 million, including a mortgage about to be foreclosed. But it was the perfect place to start. The Omni, with 650,000 square feet that can handle the casino, thus became the first phase of the project. Next, Genting bought the adjacent Miami Herald (the newspaper that broke the Genting story last September) for $236 million--and may put another casino there. Then the company hired 23 lobbyists. By October, Florida legislators decided to float a bill to allow three casinos in south Florida. Get the picture? As for Genting, it's what we used to call a conglomerate. The holding company of Genting Berhad has similar companies in Malaysia, Singapore and Hong Kong. It also has five resorts and casinos in Malaysia, two in Singapore, one in Hong Kong and 42 in the UK--all of them casinos. They found the US some time ago and planted resorts in Miami and New York, plus a casino at Aqueduct racetrack. Oh yes. They also own the Norwegian Cruise Line, a soccer club in Britain's top league and just in case, Twitter, YouTube and FaceBook are prominent on the Genting Web sites--all 38 million of them. Sounds like they're Genting along pretty well.

December 11, 2011:

The cry of 'junk mail' is back: Post Office may be near death     I watched nationally syndicated columnist Charles Krauthammer give his opinion of the struggling-to-stay-alive USPS the other night. He thinks it should close. "Junk mail!" he shouted--and I do mean shouted. The man became boiling-over furious in seconds. Charles has been a favorite of mine for years but his explosion on the O'Reilly show made me shake my head in wonder. For all his smarts and witty commentary, he has no idea how valuable ordinary postal mail is to a large number of businesses--including casinos. He probably thinks email can carry the load. Most of the young people who use it think that way, too. Because few ever write a letter or receive one I can see why. Not many realize that seniors get very little mail, and when a letter is addressed to them, studies show that most open it and read every line. And those who are 55 and above overwhelmingly prefer postal mail over email. A letter speaks person to person; email speaks computer to computer. And for casinos, where the real players are usually more than 55, the loss of direct mail would be devastating. I surveyed a few friends and found that most of them think there's no way the USPS will close. "It's an American icon," said one. Another called it "An historic slice of America that dates back to the Pony Express." But my guess is they had no idea the Post Office owes retired workers around 60 billion, which is why Krauthammer may have lost it when he bellowed "Junk Mail!" My guess, and its been around for a while, is that a public company will one day run it. And the reason is the direct mail that flows by the billions into American homes. You may hate to see the Postal service hand it over, but its death and the inevitable effect on companies of all sizes would put hundreds of Postal workers on the streets again--without mailbags and looking for a job. So never, ever, under any circumstances, call it "Junk Mail." It's a bad name for business mailers and casinos looking for prospects and customers. You'd miss it--bet me.

December 22, 2011:

2-year-old using an iphone? Rush him to the slot section     In Andy Vuong's "From nap time to app time" in the Denver Post a few days ago, he informs us that playtime for children has shifted from television and video games to tablet computers and smartphones. I mean, should a kid younger than 2 years of age get a piece of Apple's high tech for Christmas? Parents are puzzled. So despite warnings from the American Academy of Pediatrics and an assistant professor of cognitive neuroscience, babies that young will be toddling around with apps in their mouths come January. Now look gang, here's our chance. Tablets and iphones? Forget about it. Let's break the kids in on slots and video poker. First, we teach the parents to put in a ticket. Then their kid pounds the spin button with his tiny fist and the screen in front of him goes bonkers. Reels spin or new sets of cards appear. Everything is quick, flashy, and easy to understand. You know for sure the kid is going to scream like you're beating him if you take him away from the machine. And can you see a casino security guy running up to you and shouting "The kid just hit a big one. What are you trying to do--steal it from him?" Okay. So I'm kidding. No reason to get huffy about it. But if we don't take action to bring the next generation of slot players into our joints, Apple could run us out of business. Vuong quotes child advocacy group Common Sense Media with this homily. "Half the children in the US live in a home with a smartphone, a tablet or a digital music player. More than a third have used one of these devices including children ages 1 and under." Hell, all I wanted was a wagon. Now, says Vuong, "New-wave gadgets are so intuitive and easy to use that an 18-month-old can swipe a finger to unlock the device and tap on a icon to watch a YouTube clip." Experts say kids should be allowed no more than two hours of screen time daily. But at least one mother says she wants to expose her kids to the new technology to prepare them for the future. Want to think some more about the slots idea?

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November 1, 2011:

Post Office pushing all out on the case for Direct Mail     One day (in 2005, I think) the US Postal Service called and asked if they could send two people out to talk to me. I said okay, we set a date, and the man and woman who showed up really did want to talk to me. I had met the man at a casino marketing convention in Las Vegas and chatted with him about the good and bad of direct mail. Now these two were part of a Postal Service team formed to battle the upstart Internet, the ominous prosperity of email, and the millions in Social Networks who had (gasp) dared to bypass the PO. I had written some pretty good letters for my casino clients and they had seen some of them. And they always read my Direct Marketing column in IGWB Magazine. One of my letters, pounded out for Tom Jenkin of Harrah's on the day after 9/11, was powerful enough to stop or slow the burgeoning cancellations from players who thought terrorists might hit Las Vegas. It worked so well that Harrah's gave it to others in its chain. Worked for them, too. So we talked for an hour or two and the PO people left. Not long afterward came a Post Office magazine named "Deliver." Did it pitch the promised joys of direct mail? Bet on it. Just last week I received the 40th edition of "Deliver." It's a 4-page, 4-color magazine now and they come at direct mail from every angle. In the Leader Column the writer says, "No matter what comes along, direct mail will endure." The column goes on to state that direct mail "continues to evolve and expand its reach...and its tangible form of messaging won't break your budget." Of course, I hope the writer is correct. But in the casino business, the direct mail I see grows steadily worse. It's seldom more than four or five paragraphs and talks about the casino--not about the customer. Instead of selling dreams, it tries to sell itself. Most letters are filled with clichés and awful words such as "great," "exciting," "world class," and "needs" that no pro would ever run through the computer if he intended to sell anything. Direct mail is, and always has been, an expression of my love for selling in print. Anytime the Post Office needs another gun, I hope they call me.

November 11, 2011:

The Sahara security guard who loved chasing cheats     A few months ago new owners bought the Sahara in Las Vegas. It made big news in the Las Vegas papers because of the daring events and promotions that poured out of it for so long. When they closed the doors the Sahara had 60 years in the books. Sentimentality made a comeback when the new owners reopened for a week to sell every picture, bed and barstool in the buildings. Most went to Las Vegas locals, whose memories went back to the early 50s. I had memories of the Sahara, too. In most of my 20 years as marketing director I worked with men so talented we out-promoted and out-sold the rest of the Strip every month--including December. Men such as Stan Irwin, Herb McDonald, Sig Front, Alex Shoofey, Ed Nigro and Jack Eglash. We had a spirit no one could match, much less overcome, and here's an example: One of my favorites was Eddie Warren, our Security Chief. The guy just loved to discover slot cheaters. He'd catch them, take them up to his office, and learn their techniques. I've been told his office had indentations in its fiberboard walls--the kind the back of your head would make if some guy grabbed you by the face and shoved. Of course, I never saw anything like that. But I did see Eddie at work one night on the Sahara casino floor. He had stalked a slot player for hours because the man played only dime machines. In the 60s and 70s few players went after dime games, and here was a guy hitting every one of ours and pocketing the winnings. Eddie couldn't figure out how the player got dime machines to pay off, and he didn't know where the man stashed his loot. Here was a challenge a man of Eddie's temperament couldn't afford to lose, so he closed in on the cheater--who took off running down the casino floor. Now, Eddie was always the kind of cop I wanted to chase me if I stole anything. About 250 pounds, and built like a moose with stocky legs. And a very slow runner. So to my surprise, Eddie kept gaining on the player. He finally chased him out the front door, caught him and deposited him on the cement. The man took off his boots and out poured dimes by the thousands. No wonder he couldn't run away from Eddie--who arrested him, then held the boots high in the air as he turned to the crowd that had gathered "Son of a bitch was wearing Tony Lamas," Eddie said. "Just my size." (Excerpted from John's newest book, "Las Vegas--Before the Lawyers."

November 22, 2011:

Your ad headline wins, or loses: make sure it explains the deal     "Evidence is mounting that US ad spending, under pressure from a sputtering economy, has begun to slip." When the Wall Street Journal leads with a sentence like that, something dark and ominous is afoot. Research from Kantar Media, says the Journal, shows ad spending rose only 4.4% in the first quarter of the year, 2.9% in the second quarter, and has slumped even deeper in the third quarter. Companies in the newspaper and magazine business have been cutting back as well, and telecommunication companies and auto makers are also less aggressive. Thank you, Kantar Media. Now, have you ever wondered why spending on ads sometimes can get worse by the month? The economy? Sure. But in my book, it's because so many ad agencies don't know how to write the damn things. Their ads fall flat. The evidence against agencies that use "Indirect" headlines in their ads, for example, is right in front of you every time you pick up a newspaper. An "Indirect" headline hides the offer, yet agencies still write headlines such as "Mistletoe only gets you so far," or "Did You Know?" or "The Pledge." Do you have any idea what those headlines are advertising? Of course not. The eye flicks past because the brain immediately knows not to waste valuable time trying to decipher what the words mean. Same with "funny" headlines. They just don' t get enough readers to bite. A "Direct" headline is the opposite. When placed over a news story (for example) it instantly tells the reader what the story is about. If the reader is interested, he reads. It's the same with newspaper display ads. If "The Pledge" headline had read, "A firefighter's dog can find you through a ton of rubble. Will you help us train hundreds of these remarkable canines? " I wager the donations would have been four times what they were. But for some reason, it seems most of the writers and art directors who turn out ads these days prefer a short, quick, cool headline that tells a reader nothing--and quickly loses him. Remember that the next time your creative people tell you shorter is better. It's not.

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October 1, 2011:

Does a visit to a casino make you call in sick?     : In a recent story from Reuters, reporter Paula Rogo says 34 percent of Americans who take summer holidays return home "Struggling with melancholy." Travel Web site TripAdvisor polled 1,400 Americans to dig out the puzzling percentage--and made it even worse with the discovery that for 64 percent,"the blues descend even before the holiday ends." Most hated to come home to hundreds or even thousands of emails at work, writes Rogo. A smaller number felt an immediate strain the first day back, and 84 percent said their stress levels quickly returned to pre-vacation highs. 12 percent admitted calling in sick the first month after returning from their vacation. The story focused only on the return home, not on the destinations. But the disturbing figures were enough to make me wonder how casinos fare. What does a casino do to help visitors return to their homes in good spirits? Not much. We're already at work on the next group. What do they expect from us when they show up? Some expect comps, and get them. Others never get a free meal. Some play and win. Others lose their bankroll. Is there a way to make this last group go home happy--or should we even try? They come with desires we can't measure and they go home with feelings we can't understand. But you can be sure the ones who go home in a sad mood won't be back soon--or maybe never. I can think of a couple of things I'd test before launching a promotion to make them all happy, or even to convince them we actually care. But that's another story. I'm not sure anyone is prepared to change minds tomorrow.

October 11, 2011:

Firearms, not guns; Cuisine, not food     Would you believe a single word can make a difference between a sale and a turndown? In the world of advertising writers it happens all the time. One of the best in the business is Herschell Gordon Lewis, author of On the Art of Writing Copy, who tells of writing an ad for antique pistol replicas in which he used the intellectual word firearms instead of the emotional word guns. Why? Because he thought the word better justified the price. When advertising expensive cars he substituted motorcar for automobile. Same reason. In the letters I write for some casinos I'll use luxury accommodations instead of luxury rooms, and cuisine instead of food when they're mailing to the high end. And at the end of every letter I write you'll always see the same two words, Thank you. You can never say it too many times. Elmer Wheeler, who wrote a magnificent little book named Tested Sentences That Sell, tells of the time he made a client thousands of dollars with just two words. Wheeler said he became thirsty one day, walked into the nearest drugstore and asked for a Coca Cola. The clerk behind the counter said," Large or small, sir?" Wheeler said "Small" without thinking, and the store lost a nickel. As he sipped his Coke, he wondered how he would have replied if the clerk had said, "Large one?" He immediately rushed to see the owners of the two largest drugstores in New York. They liked the idea and tested five thousand customers with "Large one?" Seven of every ten people said, Yes. Mr. Wheeler's bank account soared.

October 22, 2011:

Send two identical mailings? It's an Ebbinghaus discovery     When I saw an ad for Chief Marketer's Webinar on resending emails, I couldn't resist writing my friends at the Chief. They're sharp, these people, and I've been praising them for years. So when I saw the topic it brought back memories of a day 17 years ago when the headline on my column in IGWB magazine read, "Beyond the Ebbinghaus Curve." Now, I should mention Dr. Ebbinghaus had a superb solution to a non-problem when he made the news in 1885. A good start, yes. But not immediately. Ebbinghaus set out to prove a standard curve of forgetfulness actually existed, and he succeeded. He proved, for example, that 75% of the information you learn on any given day will be forgotten in two weeks. By the fourth week you've forgotten 95% of it. But how could you use such knowledge in 1885? Well, sparingly, unless you wanted to get a reputation as a mad scientist. But when Direct Mail came along, I believe Ebbie happened to tell a mailer he could send out a package, mail an exact duplicate two or three weeks later, and haul in half as many responses as the identical first mailing did. Not everyone put faith in such an oddity, but your faithful reporter was hooked. When I'd give a seminar, some in the audience would argue that those who resent the same package made themselves look like fools. How, I'd ask innocently? Invariably, the audience believed the prospects would remember the first mailing. My answer was, "Tell the truth. Do you remember what you got in the mail last week? How about what you got yesterday?" Not a soul remembered. Then I'd launch into reasons why sending the same piece twice was a solid tactic that would return half as many responses as you received from the first piece. When no one believed that, I tried it three times. Sure enough, response ranged from 47% to 52%. Can Chief Marketer's Webinar do the same thing with email? I don't have a clue--but I do have a call in for Ebbinghaus.

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September 1, 2011:

First they steal your face, then they pick your pocket     "Picture this," wrote Shan Li and David Sarno of the Los Angeles Times. "You stop in front of a digtital advertising display at a mall. Suddenly an ad pops up touting makeup, followed by one for shoes, then one for butter pecan ice cream." Good gosh! The digital display scanned your features, consulted its stash of human faces and what they like, and tailored its message to you. The Venetian resort hotel and casino in Las Vegas, say Li and Sarno, is already using it to steer guests into the casino's restaurants, clubs, and entertainment. I'm not against slathering the public with digital ads, but I'm a direct marketer, and I always advise businesses to test their ads before they run them in the public prints. It's anathema to us when someone announces a product that's "new" and "original." Those words, to direct marketers, mean "untried" and "untested." My guess is many companies, especially large ones, will be overcome by the audacity of facial recognition and demand to have it. Maybe they don't know the Privacy Cops are lying in wait to nail the first advertiser who uses your face to pick your pocket. Listen, if I saw a digital ad that showed me a Jobs computer, followed by the newest edition of Strunk and White, and an Epson printer that could finish my copy before I wrote it, I'd probably call Lifelock. I mean, this is my life they're tinkering with. People may be blase about personal articles, but when the advertiser can take a digital shot, store it in their files and use facial recognition to sell you every damn thing you like, the recently discovered privacy module in your right front lobe could take over and we'd have to call Homeland Security. And they're busy enough--aren't they.

September 11, 2011:

New way to live alone; Just keep looking up     At first glance it looks like an exceptionally bulky baseball cap. A test model dug out of the trash, perhaps. Or an embarrassing screw-up by the new Director of Caps. The girl wearing it is pretty, but the brim is so thick you see her face only from the nose down. The cap's heavy, outsized brim and the cloth straps that sweep back over her ears might mean she's a Starship Trooper. Naw. Gradually your mind hisses the truth. It's a "Personal 3-D Viewer." The inventors at Sony say the device gives you a private 3-D theater of music videos, movies and games. Which is fine if you want to eat, party, dance and live your life alone. Just remember your eyes must always be directed to the underside of the brim. You want to become a loner? This is the way to do it. Direct marketer that I am, I immediately wondered where I could get a mailing list of loners--people who just love to look at the brims of their hats for hours at a time. I dove into every direct marketing magazine I take. Not a single loner list in any of them. But maybe ad agencies would love it. Not a chance. How could they make any money from an ugly hat that gives you neck pains from looking under the brim all day? But the "Personal 3-D Viewer" might be a hit in some country that had never heard of it. I imagined making a winner out of a monstrosity. Do you think they'd like it in China? They're shorter over there and might be able to look up easier. Just a thought.

September 22, 2011:

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August 1, 2011:

Goodbye, "Great Imposter." Please leave the chicken suit     "The Great Imposter" died a month ago, but his reputation lingers. A furious Dodger manager Tommy Lasorda once chased him out of the Baseball All-Star game. A Rabbi at his memorial service praised him with, "More than a man, he's a force." When Betty Thomas of "Hill Street Blues" was slow reaching the stage to accept her Emmy," he dashed up and accepted it for her. Barry Bremen, businessman by trade, became "The Great Imposter" in the late 70s. By the 1980s he had millions of followers. Barry was a good-natured guy who never intended to hurt anyone, but his talent for slinking into sports stadiums built him a formidable reputation. He just disguised himself and walked in. Easy as that. He strolled into the 1979 Baseball All-Star game in Seattle dressed in a Yankee uniform. Next thing you knew he was catching fly balls in the outfield. He dressed as an umpire for the 1980 World Series game between the Royals and Phillies and started to explain the rules before they caught him. Sports Illustrated said he slipped onto the sidelines during a 1979 football game between the Cowboys and Redskins wearing a Cowboys cheerleader uniform and a blond wig. The Cowboys, said SI, not only kicked him out but sued him--although they never followed through. In an NBA All-Star game, Security guards discovered him shooting baskets as the teams warmed up. They tossed him out--but to be honest he was caught every time, even though he wore a variety of sports uniforms including a chicken suit. Bremen was just 64 when he died--probably laughing. R.I.P.

August 11, 2011:

Apple's iCloud launch now set for September     Robert Iger, CEO of Walt Disney is one sharp gentleman. Here's what he said a couple of months ago about Apple's oncoming iCloud: "If you can create your own digital locker in the sky and everything you have bought (music, movies, TV shows) exists in one place, you don't have to spend time endlessly searching. It's a better user experience. There are just so many movies you can store on your laptop." On Aug. 2, Charlie Sorrel of WIRED announced Apple's iCloud.com website had gone live, and that beta versions of the iWork suite for iOS and iPhoto had been made available. Apple calls the iCloud a "sync"service because you can create or edit a photo or document on your iPhone, iPad, Mac or Windows PC and it's automatically shuttled to any other device you've chosen. And Charlie makes two other interesting comments. The first is, there might never be a way to view your documents on the Web, and right now there's no way to view your photos on iCloud.com. But he didn't seem so sure. I believe you'll be able to do both fairly soon. As it stands now, iCloud is free, and comes with 5GB storage. For $20 a year you get 10GB, $40 a year buys you 20GB and $100 gives you 50GB. Charlie ends his story with a caution: before you rush out and spend the extra money, remember iCloud's storage quota doesn't include your photos, your iTunes music, your apps or your purchased books. In fact, Charlie says, 5GB looks like more than enough for most people. And I say, best thing you can do right now is get ready for the iCloud service launch in September. And start preparing for new kinds of marketing, new ways to sell, new relationships and new clients.

August 22, 2011:

Testing beats guessing; are gut feelings better?     Here are some tips from my first book, Casino Marketing, published in 1994: my close friend, the late Andy Byrne, told of a life insurance company that tested two ads. The headline on one read, "Leave Money for Your Family After You've Gone." The second headline read "Get Rid of Money Worries for Good." Then Andy turned and asked, "Which one pulled best?" I'll give you the winner in a moment, but the real hero of this story is the person who insisted on testing instead of guessing. That always saves the company money. The winner was the second headline, which pulled five times as many coupons as the first headline. So $100,000 invested in the second ad, Andy pointed out, would give you the same results as $500,000 invested in the first headline. Although they were good friends, Andy wrote headlines that rivaled or beat David Ogilvy. But Andy's personal favorite was an Ogilvy headline for Rolls Royce. It read, "At 60 miles per hour in a Rolls Royce the loudest sound you hear is the ticking of the electric clock." Later, Ogilvy met the Rolls chief engineer, who frowned as if Ogilvy had revealed a military secret. As he stomped off Ogilvy heard him mutter, "I've got to work on that damn clock." Another of the fine headline writers was the late Bill Jayme. But Jayme was remembered more for his attitudes on research than for his headlines. He called research, "The art of making obscure that which is obvious." I agree. I'll take the gut feeling born of experience over research any time--and I'll win more than I'll lose. Remember Coca Cola? They did a mountain of research before the changed the flavor. The real mission of research is to provide ammunition for the creative process. Research alone doesn't bring people into casinos and it sure can't make them gamble. The emphasis on technology has depersonalized the business. The customers sense it. They want to be treated as human beings, not as parts of a segment.

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July 1, 2011:

Stolen Painting Found by Tree     As a boy, I often traveled with my show business parents. They toured the country, playing theaters, movie houses, lounges, fairs, whatever their booking agent wanted. And every summer we hit the big cities. Seattle was always a two-week stop--and I've never forgotten my first visit. Screaming headlines told us a murderer was running loose. Twice the cops had him cornered. Twice he escaped. After that second time the Post-Intelligencer's front page headline shouted,"Police Elude Killer." We felt kind of silly laughing--but we did. As I grew older I saw the famous Variety headline,"Sticks Nix Hix Pix." Seems people in small towns (Sticks) no longer wanted (Nix) corny films (Hix Pix). Then a few days ago the Wall Street Journal's page 3 banner read, "Colorado Out of Joint Over Pot Shops," a shot at the state's medical marijuana dispensaries. So I dashed to my machine and punched in a search for more funny (but true) headlines. In the Internet's Headline Humor we find "Psychics Predict World Didn't End Yesterday." And in AlphaDictionary.Com under the Columbia School of Journalism we discover, "Dr. Ruth to Talk About Sex with Newspaper Editors," and "Police Begin Campaign to Run Down Jaywalkers." Get into this sort of pastime and you giggle the rest of the day at headlines such as, "Killer Sentenced to Die for Second Time in 10 Years," and "Man Struck by Lightning Faces Battery Charge." Then you run into, "Passing Wind Strands DC Ferry Passengers," "Squad Helps Dog Bite Victim," "Drunk Drivers Paid $1,000 in 1984," and "Milk Drinkers Are Turning to Powder." Now here's another weird circumstance. The person in the newsroom who writes a double-meaning headline such as "Teacher Strikes Idle Kids," sees nothing funny about it. He knows exactly what it means. But (sigh) he's the only one. And in conclusion, "Two Convicts Evade Noose, Jury Hung."

July 11, 2011:

Damn good banjo pickin' from an actor and comic     I'm watching "A Capitol Fourth 2011" on the evening of the 4th of July. Everyone knows it's the best show of the year, and strickly American. Every patriotic song and stirring march you've ever heard. Stars from Broadway, singers, dancers, composers--then those impossible fireworks. And of all things this year--a Bluegrass band named Steep Canyon Rangers. Five guys in dark suits and one guy whose hair was as white as his suit. Had a white banjo, too. The minute they started to play I thought, who IS this guy? He didn't just play the banjo--he assaulted it. His pickin' hand became a blur. He hit the drone string like he was running for his life. He could take that banjo to the middle east and stare down the Libyan army. Later, when the announcer called him Steve, I realized the guy in the white suit was Steve Martin. Yeah, the comedian, actor, author, playright, and producer. Two comedy albums won him Grammy Awards; "The Crow: Five Songs for the Five-String Banjo," won a Grammy for Best Bluegrass Album; he starred in series of classic film from "Little shop of Horrors" and "Father of the Bride" to "Bowfinger" and "Bringing Down the House." He even co-hosted the Academy Awards. Your faithful reporter played a little Bluegrass years ago. After listening to this man I'd throw away my old banjo I (if I still had it). Okay, change of pace. In 1956, Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis got together to record the wildest jam session in the history of time. They called them the "Million Dollar Quartet." It's a big hit on Broadway now, so naturally they brought it on stage. Kelli O'Hara's magnificent voice, Josh Groban's equally marvelous songs, Mathew Morrison of "Glee," Idol winner Jordin Sparks, MC Jimmy Smits, Little Richard and a stageful of military bands closed it out. What? You missed it? Don't ever do that again.

July 22, 2011:

Dear Valued Customer just makes me furious     If I get one more letter that starts, "Dear Valued Customer," I'm going to rush over to my machine and fire back my own letter. I'll start it something like this: "You jerks. If I really was a 'valued' customer you'd call me by my first name. Wake up. This is 2011. Take a look at your database. I'm in there because I've done business with you for years and both my names were on your envelope. Start making friends with your direct mail. That's the personal edge we have over other advertising. If I get another DVC salutation you'll never see me again. " Okay, I probably wouldn't send a letter like that. But on second thought I might. White bread salutations are unsound because the geniuses using them have no idea what's taken place in the direct mail business. Same for "Dear John Romero." Would you ever start a personal letter like that? Of course not. You just don't call friends by both names. All right, maybe you would if you were a casino boss sending one of those heartwarming letters telling them their lack of play has forced you to take away all their comps. Using two names in the salutation also tells them you're too damn busy to care if they come back to your joint or not. Now let's consider what might happen if you had to get something in the mail today to a hot new player list you'd just, ah, discovered. Then it would be okay to start the letter with "Dear Slot Genius," "Dear Preferred Player," or some such. But once you get the new list in your database, use the player's first name. Send him a letter that welcomes him to your store. P.S. And be sure to thank him.

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June 1, 2011:

New casino slot offer: everything half price     Attention casino marketers. The "daily-deal market," as AP calls it, is changing marketing at warp speed. Better figure out a way to use it. Groupon, which started the daily-deal, had about two million subscribers 18 months ago. Now they have 85 million. A new D-D site named LivingSocial zoomed from 120,000 subscribers to 28 million. Mark Frank, a research guy from BIA/Kelsey, says D-D revenue is growing much faster than overall e-commerce. What, you never heard of D-D? Okay, listen up. Groupon becomes a partner with a small business anywhere in the US. Their Web site fires out a deal a day to subscribers in the partner area. Sometimes it's a half-price deal that last only a few hours. Whatever it is, Groupon takes a 30 to 50 percent cut from the price a customer pays. Business is so good they hire and train150 new employees a month, says AP. Not bad, hmm? A pizza shop might offer a $12 pizza for $4. Now wait a second. They're losing money on every $4 deal. Yeah, but the place is filled with customers who buy other tasties at full price. Hey casinos! You want to take a shot? AP asks, what if you had hotel rooms that were going to sit empty anyway? I say, work up something based on those free $5 slot play tickets that cost you only $2.50. Match play? Baccarat? Maybe. Caution: don't give away too much stuff at half price or your customers will get used to it. Big trouble.

June 11, 2011:

Secret of press releases: send 'em a story instead     Every now and then, as I scan subject lines, I see some company trying to sell "The Secret" of a good press release. But I never open it and read the copy. Why? Because I've worked both sides of the street and I already know the secret. My secret. The one that worked every time. As sports editor of the Las Vegas Review-Journal for ten years, I saw plenty of press releases. And in the 20 years I worked for the Sahara Las Vegas as marketing director, I wrote plenty of them. My stuff for the Sahara always saw print. Editors would call to thank me and tell me they always looked forward to my pieces. Why? Most of the press releases that crossed their desks were filled with syrupy praise for the company, or the owner. Mine told stories. I wrote them like newspaper and magazine features. For a story about the Sahara's many cash gifts to charities, I told about the night Buddy Hackett, a big Sahara star, wrote a $3,000 personal check on the side of a grocery bag and handed it to a dazzled younker who represented a Nevada Indian group. "Hey," said Buddy, "you can write a check on anything. Just tell them to call me if there's any problem." Of course, I worked the Sahara's largesse into the piece. On sports pages, archery stories win little space. But my story about Joan Adams, a gorgeous Sahara cocktail server who won the indoor archery title two months after she took up the sport, scored big. Naturally, I slipped in how the Sahara encouraged its employees to enter all sorts of events and helped them become stars. When the Sahara held an outdoor rally for the Johnny Mann gang, we accidentally released a thousand balloons into the McCarran Field flight path. They missed the incoming planes by miles but I never mentioned that. The balloons got Johnny terrific ink in the LV newspapers. Good stories always run. "Press releases" usually irk the editors.

June 22, 2011:

The Publicity Department? You're out of style, fella     (A tribute to the Sahara Las Vegas, which closed in May after 60 years.)When I first went to work for the Sahara we didn't have a "marketing department." We had an advertising and publicity department. We pumped out press releases about as fast as we could type. The gorgeous girls in the Sahara chorus line had their pictures splashed in every newspaper and magazine in the country. We called them "The Most American Girls in the World," which didn't make a lot of sense even in those days, but the editors ran everything we could send them. Our MO was to check Chase's Calendar of Events so we always had a reason for the girls in the picture. Kind of thin, but it worked. When a new show opened, one of us would send reviews to the top entertainment columnists in the nation, from Hollywood to New York. The next day we owned the entertainment sections of all the major papers. But I wasn't satisfied. As an ex-newspaper guy I thought "advertising and publicity" was old and out of style. Besides, "advertising" meant "spend money." Around the early 70s I started to call myself the Marketing Director, which I hoped meant "make money." We developed more special events to bring in big players, which the casino loved. And I phased out "publicity." Now you can get a marketing director on the phone. Ask for the Publicity Director and you're 40 years out of style.

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May 1, 2011:

When cost became zero, Nevada came in to help     Win Cards (story at left) may be the first promotion that weathered all casino budget cuts. The casino pays $5 a set for the Win Cards--then sells them for $20 and makes a $15 profit. Next, the casino gives the Win Cards buyer $30 in special chips that are generally valued at half their face value--plus a "Dealer's Tip" coupon. (Of course, the player must join the casino's player club.) So the casino has educated its rookie players in the game (BJ, Craps or Roulette), created play with the special chips, and didn't pay a dime for it. The Nevada Gaming Control Board liked the program so well they set up special accounting procedures to help casinos use it...when Ted and Pam were in in Puerto Rico to train the staff of the Condado Plaza in the use of Win Cards, they showed up at noon on Tuesday--as the casino manager wished. When no one came, Ted asked him when training could begin. "Manana," replied the casino manager, which Ted and Pam understood as "tomorrow." But no one showed the following day. The casino manager again told them training would begin "manana." After some probing, our two heroes discovered that "manana" in Puerto Rico also meant "Not today." Final add: "More reasons casinos gave in the beginning for not buying Win Cards. "All our customers already know how to play," and the kicker, "We have plenty of table game players and don't need any more right now."

May 11, 2011:

What happened to words? Only your reporter knows     Your faithful reporter will be speaking at CasinoFest, in Tulsa, OK, later in the month, along with a number of friends including John Acres and Prof. Nelson Rose. My title, as you might suspect, will be, "What Happened to the Written Word?" As a judge of direct mail for 10 years in the American Gaming Association's annual "Voice" awards, I've seen personal letters fall away to nothing--and I mean that literally. I haven't seen a single one entered in the contest for the last three years. What used to be salesmanship in print has become (in many cases) a single line that describes the offer. And the invitations now cost $12 or more in the mail. Personal letters from the General Manager, speaking one-to-one with his players, once mailed as low as .35 cents. As we entered a new century, art pushed words out of sight. Then type styles changed from Roman serif to the newest hard-to-read sans serif faces such as Helvetica and Arial. Writing skills faded in favor of handsome art, and letters apparently became too hard for many casinos to write. So now I'm often asked, "What happened to the written word?" And I wrote a speech that contains the answer. Maybe it's a new start for words. I hope so. All of us need relief from the incoming barrage of unreadable type and the dearth of readable words.

May 22, 2011:

A comeback for words? Sooner than you think     When you think about it, the casino business is very personal. When you go to your bank do you know the president? When you shop at a supermarket do you know the manager? When you go to a restaurant, do you know the owner? In most cases the answers are no. But when you play at a casino two or three times you meet the Table Games bosses, the Slot Manager and maybe even the General Manager if he roams the floor. And since it's your money on the tables or flowing into the machines, you make it a point to know those people and make friends of them. As a result we found personal letters from GMs working wonders with casino customers, new and old, in the mid-80s through the 90s. One-page letters, 2-page letters, even 4-page letters bound the customer to the casino because they were written friend-to-friend, and not company-to-audience, which is what many casinos still do. But the trend staggered to a halt. Email chipped away at snail mail and it became easier to have casino Web sites carry the offers. And although casinos still used the US mail, the letters became shorter or were reduced in size and placed in self-mailers. The personal feeling vanished. In 2010, for the 10th straight year, I judged Direct Mail for the American Gaming Association. I looked at 130 entries and not one contained a personal letter--and few said anything at all about the customer. The typical format was an invitation splashed with gold foil and blind embossing. Or a poster as big as an open newspaper. Or a toy that buzzed and hummed as you pressed the buttons. Will words ever make a comeback? Yes, and sooner than you may think. (Taken from my speech entitled What Ever Happened to the Written Word? at CasinoFest in the Hard Rock Casino at Tulsa, OK, earlier this month)

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April 1, 2011:

Is reading really dead? Entrepreneurs say no     How many times have you heard someone say, "Nobody reads anymore?" Too many casino marketers have been paralyzed by those three words, and there are plenty of arguments now that seem to back up this mercurial statement. But the words are false, because people DO read--as long as it hits their self-interest. Who are the entrepreneurs of our time? Are they isolated men and women who work alone to produce societal changes? Or are they readers of novels and nonfiction and scientific advances and business breakthroughs and cultural shifts that give them their often brilliant ideas? I'll go with the latter. In my experience, the best slot managers and slot marketers are readers. They know what's happening in the industry and they know what's happening in America. You can compare their personal guesses with a solid research study and both will come up with the same answer almost every time. They have a business sense they'll soon need--because they read. I recommend it.

April 11, 2011:

Should a menu be fun? It worked for the quiche     A few days ago the Denver Post Food Section burst forth with a full page story named "Consider the Menu." A sub-headline read,"A well-written menu is a pleasure to peruse. A poor one, agony." A little overblown, I thought, but cute. The story went on to quote Jonathan Waxman, chef at one of New York's famous restaurants. "People want to have fun these days," Waxman said. "Money is precious. I think menus have to reflect that. You want to feel a connection to the kitchen." I liked the part about fun because it took me back to the late 80s and a menu I wrote for my first client--Lady Luck in downtown Las Vegas. The casino had opened a new gourmet room but business wasn't exactly sensational, so the GM asked for my advice. "The menu is terrible," I told him, "not the food--the writing." Okay, the GM said, so write us a new one. The chef thought it was a fine idea, even when I started to ask for the food cost of every item on his menu. Turned out his quiche was lowest. So I wrote about 75 words on it. I said it was so good we had to keep it away from Californians, because they'd mob the place. I warned the clientele if they ordered the quiche they had to pledge never to tell anyone from California about it. I told them the waiter would ask for the pledge in writing before he delivered the quiche. Then I wrote the pledge in fractured lawyer lingo. Bottom line: the quiche became a best-seller, the customers all wanted to keep the pledge they signed, and the chef turned into a believer. I wrote humorous stuff for about a dozen more items. Prices on the menu all went up. Hey, that Waxman guy was right. People do want to have fun.

April 22, 2011:

The customer's big question deserves a quick answer     "What's the deal, and what's in it for me?" When you send a customer or a prospect a piece of direct mail, that's exactly what's he's thinking as he opens it. If you've answered his question in your first paragraph (the lead), you have a chance to land him. If that nine-word question goes unanswered for three or four paragraphs, your chances to tempt him into your store go from good to nonexistent. It's the main reason why professional direct mail writers advise you to, "Fire your big guns first." Is that hard to understand? Of course not. But to many casinos it seems to be one of those those tactics that are too good to be true, and they clomp along relying on adjectives to make their rooms, shows and restaurants appeal to customers. Yet adjectives are like barnacles; they drag down the story. And used often they drive off the customers. Years ago I developed a simple plan to entice customers to read my letters from beginning to end. How? Every paragraph was about the customer and the benefits waiting for him at the XYZ Casino. One of my first leads read, "Your plane touches down in Las Vegas. As you walk out of the terminal a private limousine pulls up. It's for you." This was a word picture every casino customer understood, a simple yet powerful appeal that alerted his vanity and pulled him into the letter. From that lead on, every paragraph contained a benefit. To get your letters read, nothing is more powerful than answering that first question quickly, then piling on the benefits. P.S. A separate VIP line at the coffee shop for houseguests only is a feature. The benefit is, they go right to their tables with no waiting while everyone else stands jn line.

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March 1, 2011:

Has casino mail slipped? A writer says it's true     Has the effectiveness of direct mail slipped in the casino business? I'd say yes--and probably much more than you realize. In small but steady spurts it has backed away from its leadership position and wandered into no-man's land. The use of letters as invitations has wasted away to almost nothing. At its peak, well-written one or two-page letters brought in business because the general managers of many properties found speaking one-on-one to their customers (and getting mail in return) was such a delight. But the problem has always been in the wording. Few GMs wrote their own letters. Why, when someone in their marketing department could do it? The answer to that one lay in percentage of response. If you once reached double figures and now you struggle to hit three or four percent, better check your letter writer. I once wrote a column I named, "What direct mail can't do." Although I wrote hundreds of columns devoted to direct mail, the letters and email that came to me from that one were wakeup calls. Many came from young people, new to the casino business, whose writing careers now headed south. Their GMs, in many cases, told them not to write more than a page. In real time, you don't write for a set number of pages; you write until you cover all the benefits of the offer--and you keep writing until you've put every one of them on display. When I went into my own business I had so many calls for letters it become a full time job. But as the years sailed by I saw the power of letters diminish. Why, I asked myself, when letters worked so well for me? I didn't much care for the only answer I could find--and I'll give you the bad news when I next post on March 11.

March 11, 2011:

Readers, listeners, viewers are ignored by image ads     When Alec Benn wrote The 27 Most Common Mistakes in Advertising thirty three years ago, he wrote a book for the ages. I doubt if you can find a copy of this work today because what Benn pointed out as "dreadfully wrong" in 1978, now seems to be perfectly correct. People are born self-centered, Benn says. Only training by parents, schools and experience make them appear less self-centered than they are. It's the reason, he says, why politicians and salespersons make a point of remembering people's names. And it's the reason why beauty aid advertising is often more effective when it appeals to a woman's love of herself, rather than the benefits of appearing attractive to a man. Yet we still see advertising, Benn argues, that talks about the product, the service or the company instead of talking about the reader, viewer or listener. Time and again, image advertisements include the phrase, "We're proud of our..." Then he delivers the knockout: "It is difficult to understand how such language gets into print. Corporate image advertisers, as a class, are the worst offenders because most of their ads are not objectively measured. There's always the danger that the agency will submit ads featuring the advertiser instead of the prospective user of the product or service." An even larger mistake, Benn tells us, is using a pun in the headline. "It's the lowest form of humor," he growls. And I agree with him.

March 22, 2011:

Do you send a letter with your invitation?     Bob Stone wrote Successful Direct Marketing Methods in 1979, and for a decade no one in the mailing business would make move without consulting it. It was one of the first books I bought for my personal direct marketing library, which now stands at 83. Bob didn't just give you one format for writing a mailing package. He gave you ten. And buried in that ten was one named "The Invitation Format." Bob didn't knock the format, but said it worked best for publishers, club memberships and credit card solicitations. Then he added this. "The outside of the invitation usually carries a letter explaining the offer." A skilled direct marketing pro would say, "Of course." But as far as I can find in today's gaming mailings, that never happens. Sure, there's an invitation inside that invites you to a promotion or event and lays $100,000 on some fortunate winner. Pretty good, but what about all the mid-size to small promotions you put together month after month every year? Is a letter explaining the offer (or offers) in the mailing package, too? The answer, for most casinos, is "No." That's really too bad. "Win a new car!" shout some casino invitations. But there's never a mouth-watering letter riding along to point out every benefit that comes with it. So those casinos never really close the deal, never drive in the borderline prospects, and never get the extra revenue that, at year's end, can add up to so much.

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February 1, 2011:

A famous adman delivers a stunning speech on sales     I have a copy of the most powerful speech ever given by an advertising guy. Who else except David Ogilvy? Most in the modern ad community have never heard of Ogilvy, who died before the Facebooks and Twitters and Mobiles were born. And many of those who worked in the same profession and knew him well avoided him because he spoke his mind--often at them. He was a genial man whose friends called him D.O., but he never failed to skewer those who thought it was below them to embrace direct marketing. On the occasion of his speech, he spoke to a group of direct marketers in Paris about his commitment to sell--or else. Some excerpts from his speech that attacked general advertising: "We who work in Direct do not regard advertising as an art form. Our clients don't give a damn whether we win awards at Cannes. They pay us to sell their products--nothing else...when you Generalists write an ad, you want everyone to congratulate you on your "creativity." When we write a direct mail package we want people to order the product...when your commercials appear on television you have no means of knowing whether they sell anything. We in Direct Marketing know, to a penny, how many products we sell with each ad...your favorite music is the applause of your fellow art directors. Our favorite music is the ring of the cash register." Just imagine a full hour of this.

February 11, 2011:

First mailing didn't work? Send the same thing again     The late Andrew Byrne wrote such compelling direct mail they should have put his biog on the letter in his mailing packages to give you a fighting chance. And when you asked Andy a question he usually fired back with a solution no one else has ever heard. For example, the first time I told him a mailing I dropped didn't draw the response I predicted, his reply was "Mail the damn thing again." I just stared at him. "It works even better," Andy said, "when you're mailing to your own list of proven customers. And your followup mailing costs you far less than the original mailing because it's the same art and same printing run." I gave him a stare that said, "Are you kidding me?" Andy threw up his arms and said, "Okay, put a new teaser on the envelope. Make it say 'Second Notice,' or 'Last Chance.' Drop it about two weeks after your first letter." Now I'm worried. I know he's not kidding but will my targets realize I've sent them the same thing twice and think I've lost my mind? Not a problem according to Andy. "Do you remember what you got in the mail last week?" he said. Sure as hell, I didn't. "And one more thing," Andy said. "The second mailing will draw substantial response and will increase response from your first mailing as well." What could I do? my staff thought I'd been on the sauce when our second identical mailing went out. Back came a steady flow of acceptance letters from both mailings--just as Andy predicted. I've used that tactic for years. It's never failed.

February 22, 2011:

Want better advertising? First, kill the adjectives     You need customers and you're trying to write some selling copy that will have them galloping into your casino to get the special new seafood dinner. So the first thing you do, naturally, is probe your mind for all the adjectives you can find that could possibly apply to the casino's new seafood dinner. Your opening copy reads something like this: "Have you tried our magnificent new seafood dinner? This breathtaking collection of luscious bay shrimp, intriguing wild salmon, captivating Cape Cod sole and laudable west coast scallops will make you quiver with anticipation. You can feel the excitement rise as your inspired taste buds tremble." If there are a hundred ways to describe a seafood dinner, what you've just read will be dead last on the list. Adjectives are like the barnacles on the bottom of a ship that's been at sea for years. They weigh down the message. There's a big gap between telling and convincing and the more adjectives you use the larger it becomes. If you want to sell you must first be warm and personal--in print as well as in person. Your writing should speak of benefits, not claims, because that's the only way you'll ever drive those customers in the door

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January 1, 2011:

A word to win with, a word to lose with     Here's a tip about a single word that can change the impact of an important sentence in a piece of direct mail or in almost anything else you write. The word is well known and it's part of everyone's vocabulary, but its power to motivate and please is largely overlooked. The word is "really." I use this magic amplifier in virtually every piece of direct mail I write. But there's a drawback. It can be used only once per piece. To show you how it adds a punch, which is stronger in the following examples? "I loved the necklace you sent," or "I really loved the necklace you sent." "I appreciate your interest in our company," or "I really appreciate your interest in our company." Of course, the word can amplify everything from doubt to weather. "Do you really expect me to believe that?" "It's really a hot day." Use it to make an impression right up front, or to close your letter. It really works. Now here's a word to banish from your vocabulary. You see it in most casino direct mail, where everything from valet parking to the buffet is called "exciting." I've seen that overworked, empty word used up to four times in a one-page letter. And really, there are much better words to describe the sensations that a casino creates. They include "breathless," "thrilled," "captivated" and "inspiring." Really.

January 11, 2011:

Herschell Gordon Lewis, the funniest adman ever     I've always loved the sense of humor that made Herschell Gordon Lewis not only a producer of grade B monster films, but also made him one of the most knowledgeable admen in America. I couldn't wait to get his book, "On the Art of Writing Copy," and the funny parts, sure enough, had me howling. In one section he takes on "hucksterism," which he reports is the obnoxious procedure of coattail riding behind a phrase, saying or slogan that has no relationship to what's being sold. In one of the ads he shows, the headline reads, "Square Feet for Lease." Jutting from the top of the ad are two square (bare) feet."Ghastly!" wails Lewis. Another ad shows a woman and a hand holding a revolver aimed directly between her eyes. The headline reads,"Get Rid of that Deadly Hairstyle...don't play Russian Roulette with your hair." Lewis comments, "Whoever told the writer of this ad he was clever had better steer clear of IQ tests. It doesn't even show what it's supposed to, because Russian Roulette would have the woman pointing the gun at her own head." A third ad shows a man in a business suit about to shoot a basketball. The headline reads, "Take Your Best Shot at a Mortgage with the Morsemere Mortgage Team." Lewis called the ad, "a nonspecific buffoon approach."

January 22, 2011:

Direct headlines dominate, indirect headlines obscure     Some advertising is so bland, so uninspired and so brain-numbing that it actually murders the message it tries to deliver. The reason most ads fail usually can be traced to the headline. But if you can take the 11-word sentence I'm about to write and lock it into your mind, you'll never again write a miserable ad. Deal? Then here's the sentence: "The headline is the most important single element of any ad." Easy, right? And 100% true. To make this point in a seminar to a large group of casino marketers in Las Vegas, I showed them ads displayed against a large screen. The headline on the first ad read, "Run these guys out of town." Behind the words came a cascade of currency. All bills bore the likenesses of American presidents--the faces you expect to see on large bills. The rest of the ad copy was too small to be easily read. I asked if anyone in the audience knew what the ad was selling. No one had a clue. Then I told the group the ad announced a Blackjack tournament in Las Vegas with a $100,000 first prize. Assorted laughter and vacant stares followed. "Run these guys out of town" obviously was a funny line to the art director who created the ad. In direct marketing we call that an "indirect headline" because it hides the message. A "direct headline" is four times as good. Too bad the guy didn't know the 11-word line you've already memorized.

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December 1, 2010:

How a four-page letter filled up a tournament     Dick Hodgson was the first direct mail pro I'd ever met, and when I went to one of his rare seminars in Las Vegas years ago I was already immersed in direct marketing. To meet the guy whose copy had helped push DM into the marketing mainstream was a rare treat times ten. I almost fell out of my chair when he used one of my letters to make a point in his lecture. As he talked about guidelines for sales letters I realized half the stuff I knew originated with him. For example, I've been asked how long a letter should be. Dick's answer was,"No such thing as a letter which is too long--just one that's too boring." In that answer lies several truths. The role of the letter, Dick said, was to answer all the questions the prospect needs to have answered before he or she is willing to take the action requested. If you can answer all those questions in one paragraph, stop there. Of course, if you're writing to a high end player you can never answer everything in one paragraph. Sometimes it takes two pages--sometimes more. The first client I ever had was about to cancel a Blackjack tournament because only six people had responded to his mailing. When we sat down to talk about it, I pressed him for benefits his tournament offered to every player. After an hour I advised him not to cancel. A day later I handed him a four-page letter. He stared at it for a moment--fascinated. I could see the question coming. "Who's going to read all this?" he said. "Everyone who receives it," I said. We sent the piece a couple of days later and the acceptances poured in. The guy was overcome. Our talk had netted me 18 benefits and I suggested 10 more. I used all of them in the letter--from a comp newspaper at your door every morning of your stay to a late checkout. Thank you, Mr. Hodgson.

December 11, 2010:

Just what is marketing? Tell them, sure beats me     Occasionally, right out of the dark side of nowhere, someone will ask, "What is marketing?" Of course, all of us in casino marketing are geniuses with ready answers to such mundane questions--so we blurt out a few sentences we've never used before. Sometimes the questioner gets it, and sometimes he doesn't. By then we're out of sight. But I always liked a paragraph I read in Fundamentals of Marketing, by a pair of college professors, O. C. Ferrell of Illinois State, and William Pride, Texas A&M. Right away they make you read an eight-line intro that winds up telling you there are many ways to define marketing. But that's not quite answering the question, is it? They give us several more definitions, and this is as close as they come to the casino business: "Marketing is a total system of business activities designed to plan, price, promote and distribute want-satisfying products and services to present and potential customers." Now, you might think the profs would like that one best, But no. They hate all of them. Finally, they give us the one they like. Brace yourself. "Marketing consists of individual and organizational activities aimed at facilitating and expediting exchanges within a set of dynamic environmental forces." So like I said, just blurt out a few words and get the hell out of sight a s fast as your legs can carry you. Or tell them, "Sure beats me."

December 22, 2010:

Mailing's whopper dilemma; It's always 'We' versus 'You'     Ferd Nauheim, an accomplished direct marketer, in l982 wrote a book he named "Letter Perfect." I snapped it up for my marketing library. I never had the opportunity to meet Ferd, but he was one terrific motivator and the book is filled with pen marks I made as I whisked through it. Here's a sample: Henry Hoke, a man Ferd calls one of the great pioneers of direct mail advertising, always advised his clients to avoid something he named, "Wee-Wee-Itis." Said Hoke, "if you fill your letters with 'We think you should,' or 'We hope you will,' or 'We want you to try,' then you've picked up that fatal disease, 'Wee-Wee-Itis.' But other writers say too much stress has been given to the "You" versus "We" problem, and a false impression has been created. Mailers who read about it, they claim, think they have to cram their letters full of the word "You." And here's the classic example, they say. A potential customer wrote the following to a Chicago mail-order house: "Please send me the watch on page 132 of your catalogue. If it's any good, I'll send a check." The company fired back with this: "You tell us which watch on page 132 of what catalogue and send us your check. If it's any good, you'll get your watch."

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November 1, 2010:

The Publicity Department? You're out of style, fella     When I first went to work for the Sahara on the Las Vegas Strip we didn't have a marketing department. We had a publicity department. We pumped out press releases about as fast as we could type. The gorgeous girls in the Sahara chorus line had their pictures splashed in every newspaper and magazine in the country. We called them "The Most American Girls in the World," which didn't make a lot of sense even in those days, but the editors ran everything we could send them. Our MO was to check Chase's Book of Days & Dates (or something like that) so we always had a reason for the girls in the picture. Kind of thin, but it worked. When a new show opened, one of us would send a review to the top entertainment columnists in the nation, from Hollywood to New York. The next day we owned the entertainment sections of all the major papers. But when "marketing" gradually replaced "publicity," the pace slowed. We had more events to bring in our Big Guys, but we phased out "publicity." Now you can get a Marketing Director on the phone, but ask to speak to the Publicity Director and you're 20 or 30 years out of style. The computer changed everything. Too bad.

November 11, 2010:

Who was Warren Nelson? Better buy his book, man     What? You've never heard of Warren Nelson? The man wrote "Always Bet on the Butcher," and here's a digest from the dust jacket that sums it up pretty well: "Nelson got his start selling moonshine and running illegal games in Montana in the early 1930s...he worked as a pit boss for Reno's Palace Club...he was hired by Bill Harrah, left following a clash with the boss, and became a partner in the Club Cal Neva in 1962." if you read his book you'll learn how to cheat the house--and why you shouldn't try. You'll meet "shifty operators" and casinos that "were running on the square." Plus, you discover how Nelson joined the Marines in 1942, was stationed in San Francisco, and raced across the Bay Bridge every evening when his workday ended to spend the rest of the night dealing at the Twenty-One Club. Wild stuff, because you're "taken on a remarkable eyewitness trip through a half century of the history and the lore of casino gaming." Now here's a little kicker that always makes me smile. Could Nelson have written a book all by himself? Nope, it took dozens of oral interviews conducted by my friend and colleague, Ken Adams. The book was published in 1994 by UNR, so there still may be copies around. Get one.

November 22, 2010:

Writing a press release? Editors hate flapdoodle     Why is it you can pick up some novels and read right through them? You can't put the book down. Bet me it was filled with quotes--maybe even page after page of them. Novel writers, those sneaky verb merchants, know quotes read faster so they feed them to you in great bunches. Sometimes they make up half of a novel. So if you're knocking out a press release a week and you want someone to read the damn thing, try filling it with quotes. Just make sure to avoid flapdoodle (quotes without substance). Not only will the city editor hate it, he'll shout obscenities and spill his coffee as he hits the delete key. And your general manager won't be too happy, either. But if you make your quotes meaty and timely you might actually accomplish something. Now there's a second part to the secret of making customers and prospects read your stuff. Research has show that from high IQ to low IQ, people like to receive information in the easiest possible form. They don't want to struggle to read it; they don;t want to interpret anything; they don't want to play guessing games. Do you have all that? Then get out there and pound out some stuff they'll read. You might even get a raise. Naw.

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October 1, 2010:

How to walk New York with the iPhone crowd     Writer Conrad Kiechel had a wonderful lead paragraph on his story in the Wall Street Journal headlined, "The Infuriating Smartphone Saunter." He wrote, "A menace is stalking the streets of Manhattan--slowly." Then, keeping his sanity despite the walkers strolling beside him as they jabber into their iPhones, Blackberries and Androids, he categorized them. "Some," wrote Kiechel, "stand meekly at street corners, mesmerized by the screens in their palms, and when the light changes and others surge forward, they remain immobile, blocking those behind them with purposive gait." He points out most everyone is on a collision course with someone else on New York sidewalks, but with a multitude of retards, accelerations and sidesteps they go their way untouched. Bravo, Kiechel. For a long time I displayed the same sort of anxiety at the end of airline trips when the plane reached the terminal and everyone stood. To a man and woman they'd whip out their phones and begin talking. What can they be talking about I wondered? So I listened. How do I state this? Gossip, unfailing scuttlebutt laced with tattle and prate. Buoyed by my new sense of self, I never listened again.

October 11, 2010:

"Fracking" has arrived; it's not what you think     Do you use the words "frigging" and "freaking" in casual conversation? Kindly purge them from your vocabulary. They show a complete lack of class; they mark you as a teenage dummy, even if you're 40. I pass this on because a new, and similar, word has just appeared. I can't find it in the dictionary, but since the Wall Street Journal used it in a recent issue, it soon will be. A Journal op-ed by Holman Jenkins bears the headline, "Americans (Sort of) Love Fracking." In the piece we find the following: "Yep, the sound and fury of the fracking debate is really just the noise of the fracking phenomenon being domesticated." And again in the same story, "Neither party's Pennsylvania gubernatorial candidate wants to stop fracking." Now here's why you'll look like a practicing idiot if you link "fracking" to the two low-brow words I used in the first sentence. "Fracking," according to Jenkins,"is hydraulic fracturing with horizontal drilling...to release natural gas." So you could say, with a straight face, "Fracking technology is advancing." It's a big deal in upstate New York. I might have known.

October 22, 2010:

to find a Booty Reading, just look in the window     I can always find casino marketing people who say print advertising is old fashioned and out of style. People who dislike print usually are producing TV spots or funny radio commercials and deep down they all think print is pure Bolshoi. But print ads are still around, and now and then you see one that hardly ruffled the budget and is beating the hell out of your $25,000 so-called hot TV spot. How do you know that? It's because you can track print down to the penny with no problem if your ad contains a response device. And sometimes, if you use just the right words, even newspapers as excellent as the Wall Street Journal will run it for you free of charge. Can you do that with TV or radio? Not a chance. So maybe that's why Levi Strauss, Lee Jeans, and Gap's Old Navy brand use "irreverent language" to promote their jeans. Levi's "Curve ID" brand runs an ad that reads, "All A- -es Were Not Created Equal." It's in magazines, on billboards and in store windows. The Journal quotes You Nguyen, Levi's head of women's merchandising and design, with "No woman turns around in the mirror and says'My derriere is not as perky as it should be." Therefore, "Curve ID" promises a number of fits for a variety of bottoms. And Old Navy has a huge window ad headlined "Your Booty Reading." Young people don't think any of the ads are offensive. As for mothers...umm...it's a no.

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September 1, 2010:

Here's the easy way to increase response     Seems there's been a slight disconnect between most casino mailings and the pros who write letters to make a living. I get casino mail that's often no more than one or two large paragraphs, some of them up to nine lines long. The letters I get from the NRA and from both political parties, for example, are filled with paragraphs that seldom are more than three lines long. It's just a pitch, you might say--so what's the difference? Okay, make a note. The letters with three line paragraphs are reader friendly because they can be scanned. Do you think customers and prospects actually read everything you send? Some may, but the huge majority scan because short paragraphs make it easy. Long paragraphs are not only unfriendly to the reader, they incite your brain. And your brain immediately sends you a message such as, "Ugh. Too big to read. Pass on this one." So if you're a casino mailer asking for business you should be able to increase response just by killing those monster paragraphs. But don't stop there. Kill everything that's unfriendly to readers. And that includes type style, paragraphs in capital letters, hard-to-understand words, the fancy reverse-outs that some art directors love and anything else that makes the customer or prospect frown, squint, grimace or or shake his head.

September 11, 2010:

Listening to customers, or just asking questions?     More and more I see articles in marketing publications that point out the importance of listening to your customers--as if the writer just discovered it. And maybe he did. I think most of us in casino marketing learn that pretty early, but sometimes listening to a customer is as boring as salt. You get an earful of the obvious. Now and then you meet a $15,000 dollar guy with a really good idea and you make a note of it. And you promptly lose it. But you really can learn "from" your customer (I prefer "from" over "listening") if you control the conversation. To do that, always start your "listening" with questions. Maybe ask something you'd really like to know such as, "You're here all the time. Why do you come to our casino instead of our competition down the street?" If you praise his answer, he'll be flattered. So ask another question, and another. You learn three times as much from your own questions as you would from just listening to the customer babble on. But if he wants to babble and it sounds interesting, then give him room. But stay in charge of the conversation. The customer is still king--but many don't realize it. There are some casinos, I imagine, that send customers a survey and make decisions based on the answers. But one-on-one is far better because you make the customer a friend who'll never forget you--even if you learn nothing.

September 22, 2010:

What is "comprehension?" Does it mean anything?     Almost every time I bring up " reading comprehension" to casino marketing directors, they nod their heads and struggle valiantly not to yawn. Hey, I don't blame them. It's not exactly a sexy topic--which may be why nobody seems to give a damn about it. But if you saw as much direct mail as I do every month, I wouldn't have to preach this stuff. The fact is, most casinos just send their customers a "take it or leave it" offer, assuming that's all they need to draw a crowd. And even then, the offer is usually submerged in garish art that invariably features reverse outs and the sterile stick letters of sans serif type. If you do the least bit of study in reading comprehension, you'll discover studies that show body copy with serif type scores 67% in "Good" comprehension. Copy with sans serif type scores 12% in "Good" comprehension. These stats come from Colin Wheildon's five-year study aptly named, "Communicating, or Just Making Pretty Shapes." I don't know of another study that can touch it, but you can still find passionate arguments favoring Sans Serif. And everything you see in casino invitations these days is written in sans serif, as if it's been proven to guarantee the best results. I talk to marketing people who say they're satisfied with the response their direct mail draws. I usually ask if they've tested. The answer is generally "Not yet."

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August 1, 2010:

Forget one-way mail; make it a dialogue     Direct marketers such as your faithful reporter always talk about "creating a dialogue" with their customers. But true dialogues don't happen that often. Do you write personal letters back to your bank, your insurance company, your credit card company, your car dealer, your airline? No. You buy or you don't buy and that's the end of it. But the casino business is different. We're like the corner grocery store used to be. We know our best customers by name, know what they'll buy and won't buy. We know how often they come and how much they'll spend. And unlike most companies, we have the opportunity to meet them face-to-face every time they show. But practically all of the casino direct mail I see looks on customers as "consumers," and not as friends. It hawks an offer instead of holding out a hand. One-way mail that says, "Here's the offer, take it or leave it, see you later," might make some sales but it gives up the relationship without even trying. Do you want a dialogue? Then your mail should always do double duty. As it makes a sale it should cement the relationship. If you're not corresponding with your players on a personal level, you're losing half the value of your mail. (Parts of this were taken from my first book, Casino Marketing.)

August 11, 2010:

Game confusion abounds; learn from the customers     When I served as Marketing Director of Del Webb's Sahara on the Las Vegas Strip in the 70s, some bright guy came by trying to sell us a lobby kiosk. Said he'd give us a free trial. So I came up with several questions, trying to find out exactly how much the customers knew about the Sahara and about gambling. In one section I asked what was the most confusing thing about the Sahara. My questions included how to get a suit pressed, how to get your room changed to a better one, how to make a show reservation, how would you grade the coffee shop food--things like that. At the bottom, just for fun, I put "How to gamble." You guessed it. Just under 80% said the most confusing thing about the Sahara was how to gamble. The casino manager didn't believe it when I showed him the results. Just shook his head. I remembered all this when I read one of Goulet"s sections entitled, "Do not understand game played." His well-researched answer: Casinos have conditioned players to wager max coin; players believe the only way to win is with max. They quickly run through their gaming budget; time on device is minimized; knowledge of results is lacking; players are dissatisfied; as a result they seek alternatives, gaming and non-gaming, to casino gambling. The tip: Don't learn "about" your customers. Learn "from" them.

August 22, 2010:

Want to be a speaker? This book can help you     "The Great Brain Robbery" was written in l980 by a couple of pals of mine named Ray Considine and Murray Raphel. There's still nothing like it around. Pick up this book, turn to any page and start reading. You'll learn something. So I closed my eyes and picked a page, No. 87, and the first line that hit me was, "Force yourself to listen." The authors suggest this when you're at a conference and listening to a speaker because, as they write, "A phrase, a fact may suddenly make sense to you. And you can use it at some future date. Or even a gesture, a stance, a pause. The way speakers handle their bodies is a language." If you're a speaker, they insist you, "look people in the eyes, work your entire audience and invent imaginative, exciting or intriguing titles. "Here are some dandies," they write, "that will bring the flock in." And we find titles such as,"The Wages of Sin is Aaaughh!" or "Will the Real God Please Step Forward," or "How to Sin and Enjoy It." Above all, they write, are the words you use. "Select them," they caution. "Slave over them, steal them from other speakers. Each word tells its own story." As a casino marketer it's easy to become known for your speaking because there are so few of you. And look how much you've learned in just one paragraph.

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July 1, 2010:

Ogilvy's famous '15' in the Hathaway ad     Imagine you're writing an ad about men's shirts. You'd want to point out as many benefits as you could find, right? For those who sometimes ask me to define a benefit, an answer from the master, the late David Ogilvy. In his original eye-patch ad copy for Hathaway Shirts he found 15 benefits. Read and be amazed: not an ordinary, mass-produced shirt...wears years longer...collars make you look younger and more distinguished...more comfortable because it's tailored more generously...longer tails so they stay in your trousers...Mother of Pearl buttons...antebellum elegance in the stitching...fabrics from all over the world...impeccable tailoring gives a wearer quiet satisfaction...made by dedicated small-town craftsmen...120 years of fine shirtmaking tradition...carried by better stores everywhere...affordable price range...growing in popularity...phone (number) for the name of your nearest Hathaway store. I've talked to many advertising execs who think the eye-patch on the distinguished model made the ad work. Wrong. The benefits you've just read sold the shirts.

July 11, 2010:

Pray for the Post Office or lose the written word     It's bad enough for the Post Office to wail about the billions they stand to lose this year, threaten to cancel weekend deliveries, and call for another price hike on stamps. Sounds like they're desperate--and they are. Every year they creep closer to caving in. There's even been talk about privatizing the mail. Hey, I don't doubt their problems for a second, but have you paused to realize what might happen to casino direct mail if the Postal Service goes under? My answer to that is "Not much--at first." You'd probably step up your email, rely more on the Social Media and save money on addressing and mailing. But you'd gradually lose the power of the written word. You simply can't romance your customers on the Internet the way you can with a personal letter that's loaded with benefits and can emphasize the power of exclusivity. Now here's the funny part. Most casinos don't send personal letters any more--and the copy in the letters they do send is awful. I'm not sure how or why that happened, but my instinct tells me many casino marketers find letters that sell are just too hard to write. Kind of sad, don't you think? Pray for the Post Office just the same. We sure as hell need it

July 22, 2010:

Type battle still hot but serif faces lead     "Magazine editors and art directors," writes Colin Wheildon in his Communication, or Just Making Pretty Shapes, "argue that sans serif body type is clean, uncluttered and attractive--and so it is." Wheildon then goes on to destroy the myth of sans serif as a worthwhile type face for body copy. "They also argue that difficulties with reading comprehension will pass as people become more and more used to seeing and reading sans serif. People will grow to live with it and it will soon become comprehensible to all, and all will love it. This is nonsense. It's like saying instead of feeding your children Wheaties, you should feed them wood shavings because they'll get used to them and in time will learn to love them." Wheildon then reveals the results of his five-year study of reading comprehension. Layouts with serif (Roman) type faces scored 67% comprehension, while layouts with sans serif type faces scored just 12% comprehension. Despite such evidence, sans serif type is used in virtually every print ad. But newspapers and books, at least, are still printed in Roman faces. I like a few sans serif faces for headlines--as long as they're in 18-point or larger. But as body copy--never.

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June 1, 2010:

The opening is key: read on or toss it?     I've written thousands of letters for my clients since I discovered the power of Direct Marketing--and in each of them I spent more time on the lead paragraph than I spent on the rest of the piece. It's the most important two or three lines in the letter (or email) because it's the moment when the reader decides to read on or toss it. The safest and most productive leads in casino mail give the reader a benefit or an outstanding promise. But sometimes a question lead, for example, can be just as effective. In the book, Words That Sell, author Richard Bayan offers 40 starters including, "Did you ever ask yourself..." and "Wouldn't you like to..." The strength of starters such as these is in the casual, person-to-person avenues they can open. Bayan also suggests statement starters such as, "Today, more than ever..." and " Believe it or not..." Or even opening with challenges such as, "Join the small handful of people who..." Only the writer can make such lead paragraph decisions, so keep writing and rewriting until your lead is perfect. Letters must lure readers in, then sell them. Or else.

June 11, 2010:

Graphics, not words, capture casino mail     In a recent survey of Business-to-Business marketers done by Target Marketing magazine, we find content marketing and copywriting voted as the two most valuable skills. Graphic design ranked fourth. Let's contrast that with today's casino mail, which apparently ranks graphic design first and copywriting dead last. There is no persuasion in modern casino mail, no incitement, no seduction, no tantalizing words that point out the benefits of the offer. In modern casino mail the headline on the invitation is the offer. That's it. The carriers (envelopes, boxes and tubes) the invitation itself and the graphics with gold foil and blind embossing cost up to double digits. Inside, you find the name of the party or event, date, how to confirm, the free stuff you'll get, and little else. For that kind of mailing you really don't need a writer. Just do it yourself. I'd like to find a casino that wants to pour its heart into a letter that relies on benefits, the sizzle of the steak for dinner, the oaken taste of the Cabernet, the luxury of triple sheeting, the delightful faces of its employees and all the other small perks that together say to the customer, "You are the most important person in our casino." I'd write that letter free, fold it twice, and send it in a No.10 envelope. Just imagine--in the mail for less than a dollar, and probably more effective than the fancy packages that cost ten times that much.

June 22, 2010:

A TV in the grocery rankles your reporter     Congratulations. Your local supermarket will be soon be displaying television ads for your viewing pleasure. It's in a test period now at stores in Maryland and Virginia, and the company that developed this new way to make shopping glorious is taking no chances. The TV screens will be "Near or in front of the products advertised in the commercials," a spokesman said. The company chairman said, "It's a lot of moving parts. Everything has to work, and work to commercial standards." I'm not sure what that means. Are you? But maybe this little face to face venture with the shoppers is just what television needs. At its best, it could show TV producers how to sell something. The silliness that passes for commercials these days is teaching a generation that funny is good and persuasion bad. Just because you laugh at a commercial and even remember it doesn't mean it's selling. It just means it's silly. But how do you make a soap commercial funny? Never mind. My bet is--they'll find a way, and this time the silly stuff may pay off because the product in just inches away.. A third spokesman for the new TV company said,"We're going to learn a lot." Brace yourself.

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May 1, 2010:

A neat magazine ad makes corporate case     You've read me knocking corporate advertising. That's because most of it is "hash," to use the quaint description coined by David Ogilvy. And the reason it's hash is because it's usually silly stuff the agency has always wanted to do to impress other agencies. They adapt it to fit a client who doesn't know any better. But listen to the copy make the case for corporate advertising come alive in this McGraw-Hill Magazines print ad: Art shows a dejected gentleman slumped in an office chair, his fingers crossed and a frown on his face. The copy reads,"I don't know who you are, I don't know your company, I don't know you company's product, I don't know what your company stands for, I don't know your company's customers, I don't know your company's record, I don't know your company's reputation, Now, what was it you wanted to sell me? Moral: Sales start before your salesman calls--with business publication advertising." Very professional stuff.

May 11, 2010:

Do ad writers read? Doesn't look like it     What have we learned about advertising in the last 27 years. Not much. The year 1983 marked publication of "Ogilvy in Advertising," certainly one of the best books ever written on advertising. One of his comments was the simple fact that people in advertising refuse to learn the rudiments of the craft. Millions are spent, Ogilvy said, but next to nothing in learned. We know, for example, that sans serif type, and reversed out type (white letters on a black background) are hard to read. Yet those two worthless styles now predominate. Ad agencies keep making the same mistakes and clients don't seem to mind. Years ago George Gallup and other researchers carefully pointed out mistakes that wasted client money. But agencies that once embraced the power of research now couldn't care less. What caused such a ridiculous situation? Ogilvy once asked a copywriter how many books on advertising he had read. The writer said none--because he preferred to rely on his own intuition. And so we arrive at 2010.

May 22, 2010:

Selling the product is not the objective     My pal Jeffrey Dobkin, author of Uncommon Marketing Techniques, often uses personal experience to show you how to sell in this jewel that should be in every direct marketer's bookcase. I guarantee you a smile in every chapter. In one, he's dealing with the owner of a successful, yet floundering, real estate company. The client is distant. After 50 years of selling homes he wonders what Jeffrey can do for him. So Jeffrey starts by asking for the objective of an expensive, one-third page ad the client runs regularly. "To sell houses," the client replies. How about the purpose of the listings inside the ad? "To sell houses," the client repeats. Jeffrey concedes the client is partly right, but tells him the objective of the ad is not to sell a house. No one, he tells the client, sees a four-line listing and buys a house. The objective of an ad is generally not to sell the product. The objective is to generate phone calls. So Jeff throws a handful of new lines in the ad--such as "Call now," "Call for an immediate appointment," and "For information call." The client's phone calls tripled the first week. Any questions? The book has been around since 1998, but you can still get it with a call to Danielle Adams Publishers at 610-642-1000. And you'll thank me.

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April 1, 2010:

The wearable computer may challenge the iPad     Thinking of buying one of those Apple iPads? I've read they start at more than $400. But like everything else that prices out half the buyers in the beginning, they'll eventually get within range. In the meantime, Microsoft says it will release its own version named "Courier," and a lower priced Fujitsu product (also named iPad) has been on the market since 2002. I'm not advising you to buy anything, but I'm sold on the "big pad" concept, mostly because of the trouble I have trying to navigate the numbers and letters on my current cell phone. Clumsy-fingered people of the world, unite. And there's another good reason to hold off until the suits and claims of the various companies are settled. Yes, my friends, it's the "Wearable Computer," and don't laugh. Apple reportedly has hired wearable-computer expert Richard DeVaul, a Ph.D of the MIT Media Lab. The Wall Street Journal says DeVaul is best known for an earlier experiment named "Memory Glasses," tiny computer displays mounted on eyeglasses. Save your money

April 11, 2010:

Partnering with USPS? Could be for mailers     It's no secret the US Postal Service is in terrible shape and trying everything from ending Saturday deliveries to partnering with private companies. Did I say "partnering?" That's a damn good idea. But the the way they announced it makes it sound like a fishing trip. They asked interested parties to respond by April 23, but added the request is for "market research and planning purposes only, and is not an RFP," whatever that is. They should have done that before they asked for questions from the small to medium-sized "enterprises" they say they're looking for. Instead, we're told the USPS wants details on how it could "enable access to a comprehensive, end-to-end, online direct mail solution." It's kind of obvious they want to cut costs by handling us online. Maybe they can, and it might be better for casino mailers in particular. Okay, here's a start. Drop Saturday deliveries as suggested, save a ton of money and lower the price of stamps.

April 22, 2010:

The hidden power Of personal letters     I don't know how many letters from customers hit your general manager's desk each day. But I do know the personal letters I've written over the years for various GMs bring in a steady flow of thank-you replies. When a customer writes back to the GM to congratulate him, or to praise him, the writer should get a symbol next to his or her name in the database. It's as close to a customer for life as you'll ever get. You may speak to your customers in a variety of online formats from email to Social Media, but they're always delivered from your computer to theirs. Recipients instinctively know such messages can be sent to thousands, and no customer sees it as a special individual message--just for her. Direct mail costs more, but gives you several advantages. With mail's high tech wizardry, you can send 5,000 identical letters and each will look, read and feel like an individual personal letter. That's a special feeling you can't get from a computer--and it's why the personal tone I work into my letters is still in demand, particularly to your high end players.

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March 1, 2010:

Things always change: ignore it at your peril     The USA-GM car company has ditched the Hummer. A Silicon Valley start-up claims a cheaper way to generate electricity. And Social Networks, says an online newsletter, may become the new mass media. So here's the tip: nothing stays the same, Of course, you've heard it before. It's just easier to pretend change is something that happens to others, but not to you. For example, the USA-GM car company sold more than 71,000 Hummers in 2006. Hey! Hummers looked like the company's best annuity until,.um, 2009, when the Army stopped buying, the Chinese pulled out of a sale and the USA-GM car company sold just 9,046. As for the start-up solving the energy problem, wait until they sell one of these doodads. And as for Social Networks prevailing, picture a landscape of 150 million people sitting at their computers 10 hours a day, writing one-sentence messages to each other or exchanging photos. It can get the word around fast, but that's not living. It's dying.

March 11, 2010:

Wow! A new computer; the iMac has arrived     I just bought a new computer. It's an iMac, and a beauty, But it's mysterious, too, as if the designers deliberately threw in lots of little changes to show you who's boss. I've never used anything but Macs. Bought my first one in the 80s. They've all been easy to use until this one. My old Mac ran almost perfectly for 12 years and the mistake I made was keeping it too long. Little things that were so easy on my old Mac are double complicated on my new one. Take the print command for example. When you hit "print" on my old Mac a box appears allowing you to print "all" or giving you the option of printing one or more. Neat. If I'm working on a book and I've written 90 pages I can print all 90 or just the three pages I found with errors. Don't have that choice on my new Mac. Okay, I'm calling Apple tomorrow--but why should I have to suffer? I've come to the conclusion the company revises all its new machines to please the techies. But I'm a writer. I'll never need half the stuff on my new iMac. But I'll keep it. "With all your faults I love you still." Hum along if you can.

March 22, 2010:

The three key points for a winning ad     Some advertising agency creatives think a colorful, well-written ad is an effective ad. Too bad. Let?s look at some of the details that ads must have if they are to sell anything--which, after all, is the purpose of advertising: (1) The headline must be composed of benefits, of promises or of both. Take ´Magazines are immersive,¡ which the big five publishers use in their first ad series. The big five publishers may love it, but it has neither benefits or promises. Never forget--the headline is the most important single element of any ad. (2) Never try to make ads that appeal to the ´readers¡ of a magazine. Aim only at those readers who want and need your product or service. Nobody else counts. (3) Always use a response device such as a coupon or a toll free 800 number. That way you get every reply, which is the only way to measure effectiveness. Summing up: If your ad is filled with benefits and promises, if it?s created only for those who are current or potential customers, and if it contains a response device that lets your prospects communicate directly with you--congratulations. You?ll never be fooled again. Would the big five publishers be better off speaking this way? Only a test would tell.

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February 1, 2010:

"Obamanough already" say college wordsmiths     Could Prof. William Strunk, Jr., the original author of "Elements of Style," handle today's English? I doubt it. He'd probably leave it to the word doctors at Lake Superior State University of Michigan. Last month these guardians of the language issued their 35th annual list of terms that deserve to be banned. Make sure you use none of the following: Heading the list we find "shovel-ready,' which come to think of it could come only from Washington, a city that leads the world in fraudulent snippets of speech. Also blacklisted were "infriended," as in "He made me so mad I unfriended him on Facebook," also "sexting," "tweeting," "retweeting," "teachable moment," "toxic assets," "transparency," "czar" and "stimulus that's too big to fail." In the overused category we find "Omabacare" and "Obamanomics." " We say Obamanough already," said the Lake Superior State wordsmiths.

February 11, 2010:

Too bad. Even the pros can't tell it's nonsense     If you're involved in the advertising and marketing business, here's the best tip I can give you: buy some books by Jeffrey Dobkin, Herschel Gordon Lewis, David Ogilvy, Theodore Levitt, Ray Jutkins, Ries & Trout, and either of my books blatantly displayed just below. Inside any of them you'll find the purpose of advertising. Ogilvy, a direct marketer, summed it up in four words: "We sell, or else." With all of us, sales come first. And none of us write ads to "entertain" the viewer or reader at the expense of benefits. Yet in one grotesque, unimaginable day, the ad business is turned upside down. Madness reigns on Super Bowl Sunday. Even with prices as high as three million for 30-second spots, the big majority of sponsors pay the money gleefully and direct their agencies to make the silliest ads possible. And the following day, critics in all forms of media announce their favorites. The Denver Post newspaper, for example, asked admen and college marketing professors to give their opinions. Replies such as "enchanting effects," "entertain before you sell," and "all fun and giggles" burst forth from those who are the ad pros of our time. Too bad. The next generation of advertising pros hears the adulation and doesn't realize it's nonsense.

February 22, 2010:

Direct leads a charge that began in the 70s     I did a double-take on a headline in the DMNews online version. It read, "Direct will be marketers' go-to strategy this year." What happened, I thought. Did general advertising slip in there and displace direct marketing while the battle raged in Washington? Naw. The magazine thought Pepsi Cola's decision to skip three million dollars in Super Bowl advertising in favor of a CRM program kayoed the traditional ad business forever." Direct marketing is now the centerpiece of all advertising," the magazine crooned. And while I didn't phrase it exactly like that when I began to champion direct for casinos in the late 70s, I did forecast the fall of traditional advertising. But I predicted it would happen in the 90s. The minute a marketing guy could show the GM what the ad cost and the room revenue it brought in--to the penny--I knew it would be all over for general advertising. So I wrote two books to hurry it along. But direct took a digital turn I didn't expect. It may leave advertisers as baffled on the effectiveness of viral, mobile, social and "ElfYourself" as they were on the old print and TV ads that couldn't be tracked. What the hell--at least it's cheap.

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January 1, 2010:

Invitations tell "what;" letters tell you "why."     I've had casino executives from the GM on down tell me, "Nobody reads anymore, so we keep our VIP invitations short and to the point." I never argue with them because newspaper circulation is declining and magazines are going out of business at a horrific rate. But people DO read. So once in a while I'll ask if the casino had salesmen out on the road going door-to-door would he tell them to stick strictly to the facts and keep the pitch short? Well, no. A salesman needs time to sell. Exactly my point. But despite the fact that letters of a page or more in length beat invitations and short letters in every test I've seen, the casino business seems stuck on the short copy approach. A potentially damaging message lurks just under the surface of the typeset invitation. The message says, "This is an ad." A letter of at least a page in l;length also carries a message. It says, "This is personal communication." The typeset invitation is built on the offer and its features. The letter is built on the offer and its benefits. The invitation tells you "what." The letter tells you "why." Big difference.

January 11, 2010:

Know the difference, features vs. benefits     Do you know the difference between a feature and a benefit? If you do, take a moment to congratulate yourself. In nosing around casino marketing departments I find only about 10% who do. Okay, so that's not very scientific--but my point is, everyone should know the difference How do you write direct mail or ads without such basic knowledge? For the 148th time, I'll explain it. If the casino advertises "VIP line at the restaurant," is that a feature or a benefit. It's a feature. It's part of a casino high end experience; it distinguishes one casino from another. It's a characteristic of certain casinos. Now here's the benefit: "You go right to your table with no waiting, while the ordinary guests stand in line." Now, if your direct mail is supposed to persuade guests to come to your property, would you simply write about the VIP line, which still means "line" to many people? Or would you tell your guests they'll go right to their tables with no waiting--which is a major benefit, especially to seniors. Benefits sell. Your letters and ads should be loaded with them.

January 22, 2010:

How to make friends of casino customers     According to my friend, the late Ray Jutkins, if you're friendly in your direct mail copy you'll make friends for your product, your service and your company. How true. "Show your reader there's a warm, honest, flesh-and-blood human being on the other end of that 800 number, reply envelope or coupon," Ray always preached, and it pays off. I've been writing casino mail that way for decades and it's never failed me. I was never more pleased than the day my major casino client showed me a stack of letters he had received from customers--thanking him for his letters, praising him and even telling him when they'd be back at the property again. Imagine how many more customers felt the same way but never took the time to write. For this particular client, mail was not simply one of the dozen or so ways to market the property--it was the single, most profitable way because it made the customers friends. And friends tell friends.

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"Secrets of Casino Marketing" and "Casino Marketing" are published by American Eagle Arts & Letters. Order with a free call: 1-888-317-6727. From metro Denver dial 303-805-4269.